Sunday, February 03, 2019

10 years! Yes, it's taken 10 years for the actual next post. Why did it take so long? I am sure no one is asking, but I will reply anyway!

Well... life happened! In the last 10 years, life has changed dramatically. I became a father, changed jobs and moved to a new country and have crossed into my 40s. Honestly, I was not at all in a place where I could spare time to blog. Come to think of it, I still don't, but I do want to make a change and I thought what better way to make that change than by starting to blog again after 10 years. Although a lot is now different, nothing has changed in terms of my love for music, and heavy metal in particular.

So let me continue with my countdown of the top 25 metal albums of all time. Here's number 11 and 10!

10 - MASTODON : LEVIATHAN (2003) - RELAPSE RECORDS

Image result for MASTODON leviathan

When Mastodon debuted in 2002 with "Remission", they showed glimpses of what they were capable of, but nobody could have predicted the genre-changing album that they followed up. "Leviathan" was every bit as threatening and imposing as the title suggests. It is shrouded in a barbaric primeval mysticism inspired by Herman Melville’s "Moby Dick." The music pulses with passion, with soul. And, ostensibly, this is the raging spirit of Leviathan, savage ruler of the seas. On Leviathan, Mastodon infused their hardcore roots with more metal and more prog; it’s the album on which Mastodon became Mastodon.

With tracks like “Iron Tusk” and “Heart Alive” the band dabbled in the progginess and delicate metal soundscapes that would come to define their later work. “Naked Burn” is as angry and furious, as its title suggests. “Megalodon” is another 3-minute smasher full of mosh, but even here the band doesn’t let you go without a minute of complete insanity to close the track. But it is “Aqua Dementia” that is an essential Mastodon classic! It has a great twangy guitar pickin’ interlude leading into the full-on explosion like a herd of a thousand Mastodons and then, they let loose with one of the best riffs known to man, followed by another monster riff, all miraculously tied together with a masterful elegance and great musicality!

Leviathan is the sound that’s come to define Mastodon – the hardcore plus the metal plus the prog  – and the album saw them developing and honing in on their distinct craft at a moment in American metal where it couldn’t have been any more culturally relevant. It captures a moment in time, one that influenced countless bands since its release and will undoubtedly influence countless more in the years to come.

Line Up: Troy Sanders – bass, vocals, Brent Hinds – lead guitar, vocals, Bill Kelliher – rhythm guitar, Brann Dailor – drums

PS: Three magazines awarded the album Album of the Year in 2004: Revolver, Kerrang! and Terrorizer. In 2009 and 2015 MetalSucks named Leviathan the best metal album of the 21st century.

11. VENOM : WELCOME TO HELL (1981) - NEAT RECORDS

Image result for venom welcome to hell

The grandfathers of black metal! Don't be fooled by the terrible production quality of this album - it is a must listen to anyone who appreciates good metal music. Although Venom were just having fun with a theme like satanism, people thought that their music contained subliminal messages and encouraged violence!! Of course, Venom used this to their advantage and gained even more attention and in a way, created a whole new genre of music!

This album has an immense impact of the metal genre! Although at times the music feels simple, repetitive and downright dirty, you cannot deny the influence it has had on black, thrash, speed and others type of metal ever since. There are 11 songs on this album and you can see they take a straight and narrow approach to songwriting. Venom adopted the theatrical influences of Kiss and used satanic and occult references in most of their lyrics as a gimmick.

Their performance as a unit often sounded clumsy and under-rehearsed. The bulldozer like bass always seemed to over power the chainsaw like guitars, which had a very high treble setting to begin with. The drums always sounded like they were being played on cardboard boxes and the timing seemed a bit off. One can't help but like the songs on "Welcome To Hell".  "In League with Satan" slows everything down a notch, and it's here that you can more clearly make out everything that's transpiring on Welcome to Hell. It might sound like a buzzkill to some listeners, but I've always liked the song and though it's a bit more repetitive than anything else on the album, it at least breaks up the pace of the album right before the final track, "Red Light Fever" allows the album to finish properly as the guitar dive bombs descend the final traces of the record into total chaos.

Listening to the lyrics and the musicianship makes one almost laugh since it is three guys trying to sound serious. But in retrospect, many of these songs are true classics of the genre.

Line Up : Conrad "Cronos" Lant – vocals, bass, Jeffrey "Mantas" Dunn – guitars, Tony "Abaddon" Bray – drums

PS : Tracks like "In Nomine Satanas","In League With Satan", "Welcome To Hell", "1000 Days In Sodom" and "Witching Hour" were all covered by bands on the "Tribute To Venom" release.